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伝統構法による石場建て・木組みと土壁「調布の家」の二階板の間ー設計施工・惺々舎

Seyseysha : Designing and building through the techniques of traditional Japanese wooden architecture




Seyseysha uses traditional construction methods to create wooden architecture in a classical Japanese mode, applying centuries-old techniques to everything from the design phase to the building stage. Staying true to the principles of construction methods with firm roots in tradition, we not only build, renovate, and repair houses, stores, and other facilities but also repair, relocate, and restore traditional homes and machiya (wooden townhouses)?and craft woodworked furniture, as well.
 Master carpenter Makoto Fukada sees every project through from start to finish. He works closely with each client to draft the optimal design and then handles all the on-site carpentry, construction, and supervisor duties himself.
 More than ensuring sturdy, long-lasting performance, Seyseysha’s creations embody elegant spaces where people can live in safe, secure comfort for generations?and dwell in harmony with the natural environment.
 We’d love to show you what we can do.
日本家屋の建築家・大工棟梁 深田真
Makoto Fukada
Master carpenter
Head builder, Seyseysha



1959: Born in Suginami-ku, Tokyo

1988: Apprentices with master joiner Kahei Yamada (proprietor of Sensho, a tea-ceremony joinery studio)

1997: Launches the Fukada Makoto Studio

2003: Opens a workshop and lumber stockyard in Miyagi Prefecture

2016: Changes the name of the studio from Fukada Makoto Studio to “Seyseysha”
伝統構法による石場建て・木組みと土壁「鴨川の家」の板の間から縁側を見るー設計施工・惺々舎
How Seyseysha builds houses



The Japanese houses of old are incredible achievements in construction and artistic virtuosity. Exuding a gentle, understated grace, they embody the idea of co-existing harmoniously with the outside world: Trees, earth, and stone fuse into natural dwellings, creating habitats where people can savor the beauty of the surrounding land, forests, rivers, and wildlife.
 Seyseysha may be a small-scale operation, but that limited size enables us to craft our architecture with a meticulous dedication to tradition. Instead of contriving forced, elaborate designs, we simply let natural providence guide the way.

 Centuries ago, Japanese people embraced the belief that humanity lived among nature, among gods?among a divine presence. Our forebears had an innate capacity to hear the whispers of the wind, a power to intuit the voices of nature, a sensitivity to the unseen. Whenever they built dwellings, wove clothing, cooked meals, or made daily necessities, they performed every task with a sacred reverence, breathing the profound into their creations.

 A traditional Japanese house has a specific form that defines both the structure itself and the spaces inside. Look around Japan, and you’ll find vestiges of those classical motifs still alive and well today. The techniques behind the form, which brings the power of nature into harmonious balance with human artistry, engender a unique brand of warmth and contentment?a universal, artistic harmony?by harnessing the vitality pervading the natural world. The form has continued to survive through the generations because it reflects the rich internal world of our predecessors, a vision with an enduring, irrepressible foundation, and resonates with the truth that human happiness depends on the respect for the natural world.

 I grew up in a wooden Japanese house from the late 1920s, a structure teeming with unique individuality. The war took a noticeable toll on the house, but it still saw me through my youngest, most formative years; I still relish my fun-filled memories of playing there, always trying to spot zashiki-warashi (mischievous, childlike house spirits) in my youthful innocence. Although the house where I grew up is no more, those classic homes still dotted the Tokyo landscape through the mid-1950s. When I build houses now, I always think back to my early days, try to recall the unmistakable feel of the wood, and mine my faint, distant memories for an unending source of inspiration. I hope I can help preserve that time-honored legacy for future generations.
木造伝統構法の構造俯瞰図面-峠田の家-設計施工 惺々舎
The technical concepts behind traditional Japanese wooden construction



 Traditional construction methods refer to the techniques used to build flexible joined wooden frames?the culmination of our predecessors’ wisdom, forged across centuries of toil and artisanship. The process involves arranging cedar, Japanese cypress, pine, chestnut, and other lumber in optimal old-fashioned shiguchi (multi-angled joints) and tsugite (straight joints where timbers are placed end to end to provide added length). The wooden frame then goes on granite cornerstones called ishibadate (a setup where pillars stand on stones instead of being fixed deep into the ground). Under the traditional approach, carpenters develop and design the entire building plan, cut the timber themselves, and then work together with teams of specialists to erect the structure. Faithful to the long-standing techniques, builders render their designs into architectural form one diligent step at a time.
 Central to Japan’s traditional construction methods is the element of wood, a material whose unique strengths and physical properties realize their full potential in flexible structures. Through an intricate arrangement of joints, a flexible structure disperses stress across the entire assembly. The key components are sashikamoi (joints that connect pillars at the top and provide resistance against lateral load), ashigatame (horizontal ties that interconnect the bases of posts and provide resistance against lateral load), and t?shinuki (beams that go through pillars, providing horizontal resistance and serving as the framework for the building’s walls). For the angled joints linking the members of the structure, traditional Japanese techniques use aikaki watariago (a type of joined wooden frame for connecting members and an important component of the horizontal lattice structure). For the walls, meanwhile, builders plaster tsuchikabe over takekomai (laths of bamboo woven into lattice-like arrangements). To keep external forces from affecting the building, the traditional methods focus on enabling the wooden structure to respnd fluidly to force atop the cornerstones.

 Traditional buildings use at least ten types of lumber with different thicknesses and shapes, depending on the magnitude, direction, and role of the load involved. The angled joints connecting all the different wood components thus have different orientations and shapes, making the marking process a unique challenge. The buildings also adopt the arawashi style, which leaves most of the structural materials exposed. Unable to conceal a vast majority of the structural components, then, carpenters have to be extremely precise in how they cut and place the beams?and that means that nearly all of the carpenter’s most intricate, demanding work takes place before the framework actually goes up.

 While traditional construction takes time, the process itself is crucial to the vitality of the architecture. The technical concepts focus on keeping the human-nature relationship a nourishing, fulfilling connection, one that brings people and wood into joyous harmony. To fulfill that ideal, the design and building phases need to be part of an integrated whole. As centuries of tradition have shown, that all depends on entrusting the process to the carpenter?an artisan with a deep, far-reaching familiarity with wood and a physical intuition of the composite structure. After designing the building, the carpenter’s job is to craft the work in complete accordance with the laws of nature, mark the lumber with care, and build the structure. With that sense of honest humility toward nature, the carpenter represents a lifeline to traditional construction methods?and the singular source from which exquisite, captivating wooden buildings can emerge.

Makoto Fukada
作業場にて伝統構法による檜葉丸太の地組を行う-惺々舎